Put Heart-Warmth in Your Voice

modulate it musicallyStill recovering from getting my wisdom teeth out last weekend, I’ve been doing some jaw exercises to relax the muscles and help lessen the pain. So when I came across this exercise of the voice, I found it helpful. Well, maybe not so helpful, but it sure made me laugh when I tried her suggestions, and so took my mind off the pain. The quote is from the third edition of The Woman You Want to Be: Margery Wilson’s Book of Charm.

1942: Put Heart-Warmth in Your Voice

Your voice reflects emotions as surely as a mirror gives back the image of what is placed before it. No amount of vocal excercises will put ‘soul’ into a voice. The magnetic, warm overtones that can make a homely woman seem charming are the definite results of sweetness, generosity and love of humanity. There is no way to imitate this warmth in the voice. It must come within. Throughout these lessons we bring out certain qualities of mind and character that give this entrancing timbre to the voice.

However, many of our noblest people pitch their voices so badly that the natural sweetness is choked out. It behooves everyone to place the speaking voice correctly and to modulate it musically. Here is an exercise that will take the shrillness and nasal quality out of any voice and lend it to a lovely mellowness.

EXERCISE: Yawn. Hold your throat open and repeat the word ‘mood’ very distinctly three times, pitches as low as you can without growling or producing a false tone. Imagine that the ‘oo’ sound comes from your chest. This vowel opens your throat. Now with your throat in the position it took to say ‘mood’ repeat the word ‘ice’ three times. Again ‘mood’ three times ~ then with the throat in the ‘oo’ position say ‘ice’ three times. Do this ten times. Now say ‘mood’ three times; with the throat in the ‘oo’ position say ‘early’ ~ then substitute the words ‘regular,’ ‘Mary,’ ‘pie,’ ‘fancy’ and ‘three.’ Always say ‘mood’ first and be sure to pronounce distinctly. This exercise will take the shrillness and nasal quality out of any voice and give it a lovely mellowness. Do this regularly and whenever possible and as long as you can without tiring unused muscles. Practice using the principles of contrast in conversation.

Source: Wilson, Margery. The Woman You Want to Be. Philadelphia: J. B. Lippincott Co., 1942.
~ pp. 58-59 ~